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On the Radio in NYC...
 
Click here to download an interview that Listen Up! musical director and vocalist, Steve Singer, had with Yossi Zweig in May 2011. Listen Up!'s music from its "Day Job" CD was featured on New York's "JM in the AM" and the Nachum Segal show. Click here to send us an note if you'd like to feature Listen Up!'s music on YOUR radio show.
 
 
 
Remembering Debbie Friedman...
 
Click here to download a remix of Listen Up!'s recording of the Debbie Friedman song, "Arise, My Love". Words and Music by Debbie Friedman OBM, taken from Shir HaShirim. The recording features Rebecca Singer (lead), Michael Mendelson (Bass), Steve Singer (Baritone), and Daniel Nahmod (Tenor). Not for sale or commercial distribution. 
 
 
Giving Thanks - Tov L'Hodot through the years...
 
Click here to download Bat Kol's 1973 "Tov LeHodot". Click here to download a bio of the band.
 
Click here to download Listen Up!'s 1997 "Tov LeHodot" from the CD "Al Hanisim"
(Ron Packowitz - lead vocal, Rebecca Singer, Mike Mendelson, and Steve Singer)
 
Click here to download Listen Up!'s 2008 "Tov LeHodot" from the CD "Day Job"
(AY Karsh - lead, Kevin Kirshenbaum, Yaakov Weiner, and Steve Singer)
 
 
 
Ten Tips for a Successful Event -- Advice to Planners

Beyond the tragic metaphors to the performers who perform without instruments (eg, Sisyphus? Prometheus?), one thing this performer can say for certain is that I've performed at an awful lot of shul fundraisers, concerts, Federation events, family s'machot... and yes -- an obscene number of bar- and bat-mitzvahs over the past 20 years. Although I've learned a great deal about being a musician... a perfomer... even a comedian, I've learned more about what really works well for Jewish events. These days, when I receive calls about performing, I find that I spend just as much time giving advice as I do selling the ensemble. So, let me share some thoughts with you -- and hopefully, you might share them with your friends, family, and (most importantly) those same 11 people in your community who seem to plan all of the fundraising events.

1. Watch the clock

Think about how much time you have for your event and be kind to your guests. Don't put entertainers at the end of a long program. Instead, consider peppering the program with interludes of performance interspersed with speeches, presentations, montages, etc... Unless you're planning a theater-style concert, plan for no more than 25 minutes at a time for your performers.

2. Mix formats

This is easy for us, but for any entertainer, consider a cocktail hour, or "afterglow" in which special guests/donors (or early birds) can have a chance to interact with your performers in a different way than seeing them up on stage. For bands, this might be having 2 members of the band playing a few tunes in the atrium to get the crowd in the mood.

3. Listen before you leap

There are so many great ensembles out there; and so many duds. If you're going to hire a vocal group, be darn sure they can sing. Demand references and videos -- from recent performances -- you can make anything sound good in a studio

4. Menschlichkeit counts

Good people who don't take themselves too seriously will connect in unbelievable ways with your audiences. Pay attention to your first impressions when you call ensembles for information about the band. Big talk is just that.

5. Banter matters

When you look at videos, look at the way the ensemble interacts with the audience, and how group members interact with each other. If there's no spark -- and nothing to say, that stage-silence can kill a great event. For a good, warts-and-all example, see this little adventure that we had in St. Louis recently.

6. Employ the Aging Rocker

Multigenerational ensembles (like Listen Up!) have more to offer. Diversity in age, and even  background/ethnicity creates more interest on stage for more members of your diverse audiences.

7. Stand for Something

Our ensemble is decidedly Mizrachi -- religious Zionist -- that means something special in the music we choose to sing, but also a Jewish perspective that we have to share. I see way too many ensembles that are completely pareve (neither milk nor meat) and have nothing uniquely JEWISH to add to a Jewish event.

8. Value "live performance"

Times are tough, but times are always tough for non-profits and other fundraisers. Think about what you pay your plumber for an hour or two of work -- and expect to pay more for ensembles that can make your event successful and memorable.

9. Insert Yourself

If your going to get a "canned" show, get a DJ to play the record. Demand that your entertainers get to know you, your committee, your family -- and what you are trying to accomplish. Let them in on your vision and goals -- and they can help you deliver.

10. Be Kind

If you can, when you can, tell others about good experiences you've had. Be a champion for a good ensemble -- and you'll reap the reward in developing a lasting relationship that may benefit you (or others) in the future.

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